By ISAAC IMAKA and FREDERIC MUSISI
Posted Monday, May 20 2013 at 16:11
Posted Monday, May 20 2013 at 16:11
In 10 years, the newspaper for the second time
since 2002 was surrounded by gun wielding policemen with an order to
search the premises for Gen David Sejusa’s letter.
At 11:15am, three fully packed Police Patrols
arrived at the main offices. Two vans park at the end points of the
Monitor building and one is parked just near the main entrance.
The officer’s jump off the vans and start chasing away civilians who were standing outside the Daily Monitor premises, including the Boda Boda riders who, on a daily basis, park at the entrance waiting for journalists going to the field.
The men in uniform have a search warrant to even search production plant for the Gen David Sejusa’s letter.
In a press statement, Police Spokesperson, Judith
Nabakooba, said the police received intelligence information that there
are people who have started scanning signatures of senior government
officials “with the intention of using the said signatures on documents
claiming they are official documents from government whereas not.”
Police officers on the scene lead by Deputy CID
Director Godfrey Musana told Monitor Publications Management that the
newspapers premises have been declared a scene of crime, and no
operations could continue.
Security sources say the state is cracking the
whip over the media’s reporting of the frenzy surrounding President
Museveni’s son Muhoozi Kainerugaba’s prospects for president – dubbed by
Coordinator of Intelligence Services Gen David Sejusa as “Muhoozi Project”.
Mr Alex Asiimwe, the Monitor Publications Limited
(MPL) managing director, described the situation as “very surprising and
unfortunate’.
“We are seeing police men wielding guns but no one
is giving us a communication on what is happening,” he said. “But we
are trying to make sure the situation normalises as early as possible.”
Determined to cripple the day’s activities at the Monitor, electricians were called in to disconnect the offices from the grid.
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